Richland Digital Video Summer 2018

Method Of Montage editing method lighting, color, and shadow using first three method

Behind every works of art , there's always a precept. The method has grafted onto cinematography, At least one attribute that makes a dialectic leap, The practice of metric montage, Constructing the length of the pieces, Realization is in the repetition , simple relationships (law of numbers) giving the clarity of numbers of impression, Processing equal rights .

I agree with Kino Eye because camera can see that human cannot see with eye like human cannot see in slow motion or change eye setting to make more clear and "camera improve while our eye sight gets worse "which Sam  Nguyen included in his post.

Kino-Eye I agree that the current movies use camera to show us what with our eyes we cannot see, watching a movie is something great because you escape from reality a couple of hours and with this revolution within the use of the camera called kino -eye movies not only show us a story but a complete picture surrounding the characters. if you only capture what the human eye can see would be limiting the possibilities of the camera to capture everything possible is best for later to edit and get the best work. that is why there is a big difference between the theater and the cinema, in the theater you can only see what happens on the stage you capture only what your eyes can and that is the magic of the camera.

Cinema acknowledges  the realms of history , philosophy , literature and the other sciences and talks about the practices of embalming and explains the origins of painting and sculpture and gives you the process of preserving corpses ; The Egyptian way . Cinema owes virtually nothing to a scientific Spirit .

6/13/2018 by joseph Delgado  There's the sensory of exploration of the world through film and use their take on point of departure. The weakness of the human eye is manifest. They affirm the Kino-eye is manifest. They affirm that the Kino-eye has its own dimensions of space and time growing in strength &  potential of self affirmation .

In Kino Eye, I love how Dziga Vertov mentions that our eyes cannot improve, while a camera can continuously become more perfect. The way I see it is.....they are both related in an inverse manner. As we age, our eye sight becomes worse and worse, while a camera continues to improve because of technology.  He also mentions "the ear does not spy, the eye does not eavesdrop". I think this sort of means that each feature of a camera has its own unique function and can't be changed into a different function.